ALEXANDER HAHN
electronic media artist
ABOUT
VIDEO
SPACE
Transmission
The Swift Erosion of a Crater by Human Intervention
Albedo 0.30
Watching a Gora Drive by
Triumph of Labor
Gentleman of the Road
Kareena
Tectonic Shifts
Rationalization of Sight
Moonlighting :: Dance by Lunar Polarity
Boy by the Ganges
CFL - Coded Fluorescent Light
The Dead
Julie at the Beach
Morse Rigveda
ON
Cao Chang Di Road
Public Spaces - Private Strangers
Propitious Stars - Master of the Staring Eyes
Luminous Point
Occurrence on Broadway & Columbus
Rabbit in your Healights
5 Anamorphoses - The Dead
Plant Cycle
On that day with Juliusz
Moving Vast Amounts of Water to a Barren Place
N 36º25’12” - W 116º48’43” (Zabriskie Point)
Stonehenge
My Own Private Universe - The Great Attractor
My Life as a Ghost
The Invisible Never Happens
Memory of Light - Light of Memory
I Came Here to Sleep
Séance
On the Nature of Things
Of Shadow & Light - Riddle of Images
Fundamentls of Legerdemain
Urbs Turrita - City of Towers
The Bernoulli Itinerary
Arthur
Aviation Memories
Urban Memories
Dream of Zanzibar
Cyborgs & Other New Machines
It that once computed the Fibonacci Numbers to Infinity
It's supposed to happen automatically ...
It That Once Beat The Masters
Magick Piece
The Air is Full of Voices
Family Blue
Android Plant
Plant #2-78/278
Plant #2-16/349
IMAGE
CV
NEWS
The Artist’s Studio as Encryption Lab
Bringing Things to a Standstill
Date: 2010
Dimension: 43 x 64 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA
The Artist’s Studio as Encryption Lab
The Early Morning Redness in the East
Date: 2010
Dimension: 43 x 64 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA
The Artist’s Studio as Encryption Lab
Answerable Questions and Questionable Answers from the Fly's Visual System - Sudden Apparition of a Small Black Hole
Date: 2010
Dimension: 43 x 31 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA2
The Artist’s Studio as Encryption Lab
Answerable Questions and Questionable Answers from the Fly's Visual System
Date: 2003
Dimension:43 x 31 inch
Technique: pigment ink on fine art paper
Private collection
The Artist’s Studio as Encryption Lab
Answerable Questions and Questionable Answers from the Tree's Visual System - Photosynthesis 01
Date: 2001
Dimension: 33 x 16 inch
Technique: pigment ink on fine art paper
Private collection
The Artist’s Studio as Encryption Lab
The Elements
Date: 1999
Dimension: 43 x 31 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA
The Artist’s Studio as Encryption Lab
Prehistory
Date: 1999
Dimension: 24 x 16 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA3
The Artist’s Studio as Encryption Lab
Formation of Clouds
Date: Aug 30, 1999
Dimension: 20 x 16 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA3
The Artist’s Studio as Encryption Lab
Optical Instruments
Date: 1999
Dimension: 24 x 16 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA
The Artist’s Studio as Encryption Lab
First Glimpse
Date: 1999
Dimension: 21.5 x 15.5 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA3
The Artist’s Studio as Encryption Lab
Still with my Spirit Daughter on 174 Ludlow Street, NYC
Date: 1995/2009
Dimension: 21.6 x 40 inch
Technique: pigment ink on fine art paper
Edition 7 + 1 EA
The Artist’s Studio as Encryption Lab
Anna's Cabinet of Astrological Magick on Zelazna and Grzybowska - revisited
Date: 1995/2007
Dimension: 11 x 40 inch
Technique: pigment ink on fine art paper
Private Collection
The Artist’s Studio as Encryption Lab
Modern Version of the 1887 Michelson Morley Experiment, the Light Slowed down to 30 cm /sec.
Date: 1996
Dimension: 17 x 30 inch
Technique: pigment ink on fine art paper
Edition 7 + 2 EA
The Artist’s Studio as Encryption Lab
Anna's Cabinet of Astrological Magick on Zelazna and Grzybowska #1
Date: 1995
Dimension: 11 x 40 inch
Technique: pigment ink on fine art paper
Photostiftung Kunstmuseum Bern/CH