‍ALEXANDER ‍HAHN

‍electronic ‍media ‍artist

Simulated Drawings - Spurious Engravings



Crash at Minisceongo Creek  

Date: 2019  

Medium: pigment ink on paper, 17 sketches  

Dimensions: 7.5 x 11 in.  

Edition: 3        


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17 stills from an aerial video recording the flight of a wayward small drone over Minisceongo Creek and its crash, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



5 seconds with Vito  

Date: 2019  

Medium: pigment ink on paper  

Dimensions: 14.5 x 21.4 in.  

Edition: 3        



• Annotation:  


Venice, Muntadas exhibition, June 01, 2013. Vito Acconci eating a sandwich; rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Kopfrausch (frame 034) 

Date: 2019  

Medium: pigment ink on paper  

Dimensions: 16.4 x 9.3  in.  

Edition: 3                       



• Annotation:  


Composite, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



The Assignment (frame 9558) 

Date: 2019  

Medium: pigment ink on paper  

Dimensions: image: 6 x 3.5 in. , sight: 11 x 8 in.

Edition: 3                       


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Composite, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Juliane says No  

Date: 2019  

Medium: pigment ink on glass,  mixed media  

Dimensions: 14 x 11 in.  

Edition: 10, 1 AP        



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Hilma af Klint exhibition, Guggenheim Museum, NY. Rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

 Drawings - Spurious Engravings 



Sunset  

Date: 2019  

Medium: pigment ink on paper, 13 simulated pen sketches  

Dimensions: 11 x 14 in.  

Edition: 3        


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12 sketches with cotton gloves, blanket, tissue paper and Sunset magazine box, as seen during the installation of a photo exhibition in March 2018. Rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Wheels of Time  

Date: 2019 

 Medium: pigment ink on paper  

Dimensions: 16 x 23 in.  

Edition: 3        



• Annotation:   


New Delhi, wall ornament made from cast concrete, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Deity  

Date: 2019  

Medium: pigment ink on paper  

Dimensions: 16 x 23 in.  

Edition: 3        



• Annotation:   


New Delhi, wall ornament made from cast concrete, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Nature Morte  (Morandi)

Date: 2019  

Medium: pigment ink on paper  

Dimensions: 16 x 23 in.  

Edition: 3



• Annotation:   


New Delhi, wall ornament made from cast concrete, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Untitled 

Date: 2019  

Medium: pigment ink on paper  

Dimensions: 20.8 x 15.7 in.  

Edition: 3        



• Annotation:     

Marble slab from a construction site in New Delhi. Cross-hatched using mobile-optimized artificial intelligence (Deep Learning) technology.

Crash at Minisceongo Creek  

Date: 2019  

Medium: pigment ink on paper, 17 sketches  

Dimensions: 7.5 x 11 in.  

Edition: 3        


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17 stills from an aerial video of the flight of a wayward small drone over Minisceongo Creek and its crash, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Male Nude in Landscape sighted by a Drone - Self Portrait  

Date: 2018  

Medium: pigment ink on 4 pt. stone paper, 6 sheets  

Dimensions: 13.5 x 24 in.  

Edition: 3 


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Simulated Drawings - Spurious Engravings



Titian’s The Submersion of the Pharaoh’s Army in the Upper New York Bay as seen in the Fogg Museum Date: 2015  

Medium: pigment ink b/w on 12 plates of polycarbonate, mixed media  

Dimensions: 118 x 215 cm (46 7/16 x 84 5/8 in.)  

Edition: 3 + 2 on glass + 1 EA        



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The first encounter with only a fragment of the work in 1997 resulted in the print below, the three salvaged Titian prints on a red carpet. 

Albert Bosshard‘s unfinished 1916 Mt. Tödi Panorama completed  

Date: 2015  

Dimension: 12 prints à 60 x 70 cm  

Technique: 3D-digital elevation model (DEM), pigment ink b/w on bamboo paper  

Edition: 5 + 2 on glass + 1 EA

Simulated Drawings - Spurious Engravings



Cerebral Atoll  

Date: 2001 - 2015  

Medium: pigment ink on fine art paper (12) and glass (2), mixed media  

Dimensions: 14 prints à 11 x 14inch  

Edition: 3 + 1 EA

Collection:  Kunstmuseum Solothurn


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Panoramic view, looking outwards from the center of the human brain, digital elevation model created from a b/w MRI.

Simulated Drawings - Spurious Engravings



Liquid I  

Date: 2014  

Medium: pigment ink on fine art paper  

Dimensions: 18 prints à 9x 16 inch  

Edition: 3 + 1 EA  

Collection:  Graphische Sammlung, Swiss Federal Institute of Technology Zurich

Simulated Drawings - Spurious Engravings



Avian Particle System I - III  

Date: 2015 

 Medium: pigment ink on Hahnemühle Turner  

Dimensions: 15 x 26.6 in.  

Edition: 7        


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Based on a HD video of a flock of murmurating birds shot in the Ebro delta. Low res, compression artifacts and image processing turn the birds into a black particle system. Birds, locusts, ants, fish, etc. obey certain rules when they appear in swarms. Yesterday, I read that cells in our bodies move in groups that follow similar rules. Like locusts, the wandering groups of cells reject each other to keep a safe distance from their neighbor, but they also attract each other to effect a most efficient mass migration ...


Simulated Drawings - Spurious Engravings



Alate Particle System #01 - 04  

Date: 2016 

Medium: pigment ink on paper  

Dimensions: 14.5 x 21.4 in.  

Edition: 7        


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The theme of the flickering light surfaces again in the four inkjet prints of Alate Particle System # 01 - 04. The difference between the camera shutter speed and the oscillation frequency of a white compact fluorescent light creates colors, an artifact not visible to the naked eye.

Chaton Blessé  -  Faux Steinlen

2017,  14 x 23 inch, pigment ink on fine art paper

Edition : 7 + 2 EA

Commissioned by BDFIL 2017 - Festival de Bande Dessinée Lausanne/CH

Simulated Drawings - Spurious Engravings



A History of India # 02  

Date: 2014  

Medium: pigment ink on fine art paper  

Dimensions: 5 images @ 12.75 x 7.25 in.  

Edition: 3

Simulated Drawings - Spurious Engravings


Green Flash - Calculating Lord Kelvin Mt. Blanc Horizon  I - III

Date: 2013  

Medium: pigment ink on fine art paper  

Dimensions:  16.5 x 4.25 in.  

Edition: 3 


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Annotation:

View of Mt. Blanc, digital elevation model calculated from 1545 metres above sea levels, and about 68 kilometres W. 18º. S.  away, the location of the Hotel du Mont-Revard, Aix-les-Bains, where, at 4 a.m. on August 27, 1899, Lord Kelvin observed the phenomenon of the green flash.